Ultimately, creating consistent, original and highly competitive ideas requires great people. If you like my work and like to connect, let's get in touch, ok?

At its best, advertising and design can be an art form, at its worst, visual pollution. When done right, it's capable of informing, entertaining and inspiring change. I believe it can have enormous economic value and a positive impact on people's lives.

 
 

Approach.

I don't have a flow chart but I do have a process. It's a human approach. A simple repeatable formula that consistently leads to results. It begins by reading the creative brief or marketing plan. If there is no brief, I have friends who can help with that. I then fully submerge myself in the problem, devour everything and then let the knowledge steep for a while. After a time, insights and truths come to light and ideas emerge as rough sketches or wireframes, to help visualize the concept, reference materials are gathered. I find that presenting sketched concepts engages the client more and keeps their attention on the ideas. Once a direction is agreed, further exploration and refinement follows.

This whole process is best done in a collaborative way with small, partner/team interactions rather than large group brainstorming. I write words down first, then I sketch everything fast before ultimately, turning to a screen. I pursue ideas true to the character of the product, ideas that will get noticed and stay in peoples hearts. I look at solutions through a media-agnostic lens. The best ideas are the ones that scare me a little. I share them all.

Inspiration.

I’m inspired by collaboration so influence often comes from whoever is sitting across from me. Outside of that, other personalities inspire me: Werner Herzog’s observations bouncing from the mundane and the absurd; Hayao Miyazaki’s imagination; Tomer Hanuka’s colour and composition; and David Lynch directing with a megaphone even with only 3 people on set. Inspiration also comes from my everyday: a fresh Pilot G-TecC3; looking through a lens; maps; ghost signs; the smell of oil paint; a peppery anejo; other people’s sketchbooks; and listening to my kids.

Expertise.

I have worked with a number of leading advertising and design agencies over the past twenty years. Whether it’s taking the lead on a project at the outset and helping put together a team of independent strategists, writers and developers or dropping into an existing creative team, I am confident I can make a difference to the final product. My ideas come to life in many forms: branding, digital collateral, multichannel advertising, event marketing, social campaigns, influencer marketing, packaging, motion graphics and film, and exhibition design.